This is one of the last three whiskies I got from the Scotch Malt Whisky Society before I had to let my membership elapse. As all SMWS bottlings are, it is from a single cask, and bottled at cask strength (55.1% abv. in this case). I'm a big fan of west coast whiskies as a style; Oban, Talisker and particularly, Springbank are some of my favourite 'standard' single malts. Glen Scotia is often somewhat unfairly forgotten as the smaller of the two remaining distilleries in the now sadly almost non-existent Campbeltown region.
The pack of three I got were all quite old sherry-cask matured whiskies, this one having been matured for sixteen years in a refill butt. The sixteen years have allowed the spirit to mellow, at least on the nose, which is all rich chocolate and caramel. On the palate though, the conventional 'age as a mellower' wisdom is thrown right out of the window. It really demonstrates the difference between a sherry finish and prolonged contact - it's less of a touch of sweetness than a full on bonfire effect, the lovely west-coast smokiness is still there but the sherry is no idle passenger, it really drives the toffee and dried fruit flavours forward, a sort of iron hand in a velvet glove.
This was the first of 176 bottles, and, as always, when it's gone it's gone forever, but I'm looking forward to seeking out whiskies like this as the winter nights draw in, with a bit of luck accompanied by some imperial stout and a good film.
A colleague told me about this video of Brian Cox (the actor not the the Professor) demonstrating how to pronounce, and indeed drink, malt whiskies. I can't embed the whole thing since I could only find it on You Tube in its separate parts but it's well worth a listen even if your pronunciation is pretty good. The best bit though is undoubtedly him trying his favourite; Lagavulin.
When I first started working in Oddbins I got quite into collecting wine as well as drinking it, albeit in a completely haphazard fashion. On quieter days in the shop the discussion would usually turn to the decision of what wine we were going to have after work. I generally used to hot-foot it down the hill after closing to catch the 10 O'Clock film on Film Four - back when it was a superb subscription channel - clutching a couple of bottles; one for the cellar and one for viewing accompaniment.
This is another that I stashed from back then. When the first of the Hegarty-Chamans wines came into the shop it was a big hit with the then Assistant Manager, and it was him that persuaded me to try them, for which I was most grateful, even a few years later.
'Cuvée 2' is an unfiltered Grenache, Syrah and Carignan blend and is decidedly Mediterranean in character; chock full of rich brambly fruit with black olives and a hint of balsamic. The balance between fruit is superbly balanced; teetering on the knife-edge of sweet fruit and savoury herbs, but all the better for having elements of both. The juicy tannins giving the wine a lovely, well-rounded texture.
This wine, or at least a younger equivalent, is available in the UK at the moment from Adnams, for £12.99. Buy at least a couple, and keep one for a few years; you won't be disappointed. They also stock the very good 'Cuvée 1.'
I had this wine back in 2005 when it was very much in its surly youthful phase. It was interesting to see what seven years or so of being kept in the dark did to the unruly teenager.
On the nose there's lots of spicy, almost mulled fruit; black cherry and blackberries. The autumnal, earthy fruit has really come to the fore on the palate, and it really wears its nine years well. Back in 2005 the fruit just wasn't expressive enough for me, but with the mellowing of those drying tannins the wine has become far more elegant.
12.5% abv. £9.49, although this has been cellared since 2005.
I had meant to complete this review a while ago but what with a (rather wet) holiday in Wales it rather passed me by.
This is certainly an immaculately presented vodka, as I think they need to be to stand any chance of being recognised amongst the many out there. Even though this is just a miniature it comes in its own box with a magnet seal, and a little union flag tag for opening.
Unsurprisingly it's clear, water-white and bright. On the nose there's an initial crème fraîche aroma and once water is added more of the sweet baked goods; brioche and patisserie cakes come to the fore. On the palate it is dry, with the alcohol being very soft, with surprisingly little burn for the abv (40%). It''s just more than light-bodied with delicate flavours of custard and light sponge-cake, along with a touch of fruit, like it's had a brief flirtation with a white table grape. However, I think it's the texture of the vodka that really indicates its quality; there's no harshness, and it has a silky-smooth creamy feel in the mouth. Highly recommended.
I saw a bit of a worrying article this morning (via André Peres) suggesting that the way forward for Portuguese wine was via international varieties. I genuinely hope not. I'm always recommending Portuguese wines like this excellent Tuella from the Symington Estate to friends and family I think that generally Portugal offers some great wines at some very keen price points. However, in a country where most people buy their wines as another commodity, something chucked in the supermarket trolley along with the toilet roll and the dog food, Portuguese wines are not a great seller. Why? Well people buy the familiar, often through positive association; having enjoyed a Sauvignon Blanc they'll try another, and that's an awful lot more difficult when the varieties are a speciality of a region and you're not going to see very much (if anything) of them elsewhere.
I think it would be a shame if Portugal's unique identity was lost in favour of producing more homogenised wines the likes of which we see from every other wine producing country. Yes, there might be a short term gain in planting international varieties, but in the long term the investment would be better off going into establishing names like Touriga Nacional and Tinta Barroca in the wine drinking public's consciousness. I'm hoping that Portuguese wines, like those of Italy, retain their identity for a long time yet - go on, give them a try!
Tuella Tinto Douro 2009, lots of body and autumnal fruit, and very indicative of what Portugal's native grapes can offer - who needs Cabernet Sauvignon? A bargain at £7.99 from Majestic.